RYU Biho

• Info
• /Contact
• /C.V

• Text
• /Bibliography and Articles
• /Publications

• Solo Shows & Projects
• /LETTER FROM THE NETHERWORLD
• /ABOUT SOLOTUDE
• /INTERPENETRATION
• /IN MY SKY AT TWILIGHT
• /BELIEF IN ART
• /TWIN PEAKS
• /FOLLOWING THE FRAGMENTED LIGHT ...
• /A MUTUAL ESCAPE
• /THE EXTREME PRIVATE PRACTICE
• /A SOMNAMBULANCE
• /THE STEEL SUN

• Work List
• /A Prophet’s Words
• /The Beach at 36º 96’ N 27º 26’ E
• /Akyarlar Beach
• /An Eternal Memory
• /Scene# Akyarlar Beach
• /Void
• /Kkwaeng Geulang Kkwaeng...
• /A Lonely Love
• /A Walk
• /The Scenes of Mind
• /Triangle
• /Circle
• /Square
• /Sea x Girl Etc.
• /The Song of Wind
• /My Meursault
• /A Reverie in the Fog
• /A Man Who Became a Landscape
• /The Wanderer's Song of Wind
• /Inner View
• /Live Sun
• /Tower of Nostalgia
• /Rising Tide
• /Misty Sea
• /Muhyunkeum
• /Moment of Brilliance
• /A South Korean Citizen's Tale:G..
• /Following the Segmented Light
• /The Forest of Solace
• /Are You OK?
• /Seoul Pieta
• /Dual Shadow
• /East Wind or The Two Hearts
• /Nanji or Nanji
• /Modern Tree
• /88
• /Melancholy
• /Samsung(Three Stars)
• /Desolate Air
• /Eclipser
• /A Guide of Time
• /A Meusault's smile
• /The Fragmented Light
• /The Language for a Time-Traveler
• /A Neruda's Song to Honor Birdie
• /A South Korean Citizen's Tale:Ga..
• /Rehearsal
• /Mobile Paradise
• /Extreme Private Practice 2, 1, 0
• /The Two Towers
• /Instant Breakaway
• /Euphoric Drive
• /Subtopia #1
• /My Way
• /Hollow Breath
• /Parasite Parachute 1.0
• /Invisible City
• /Record
• /The Implicate Order
• /That's Alright
• /Hospitality
• /The DMZ-A Line of Beauty?
• /In Silence
• /The Mass Calisthenics
• /1984
• /Hi, Guys!
• /Steel Sun

© RYU Biho

• Built with Indexhibit

The Implicate Order 낙화(落花)
interactive media performance(co-work with Futureyetronica)
2003

*Exhibitions:
2003 liquid space, Art Center Nabi, Seoul

The Implicate Order